One drawback of achieving recognition as one of the old masters in your own time is that people often falsely assume that you are fully up-to-date with all the trends and ideas circulating in the contemporary musical scene. The sad reality, of course, is that even though my mental faculties have not diminished one whit to this point, I am still far from clairvoyant. A great deal of discourse about aesthetics and theory has moved onto the Internet and out of my easy reach.